This blog documents my long-awaited quest to finally shoot Kodak Aerochrome, the legendary false-positive infrared film that turns living landscapes into surreal pink dreamscapes. From the history of Aerochrome to filter experiments and chasing the perfect shot in Yosemite, it’s a deep dive into why this rare infrared film stock feels more like a photographic event than just another roll of film—and why the hunt is half the magic.

A real-world Kodak Portra 160 review shot across Texas on a Leica M6 and Mamiya 7. Latitude, skin tones, pushing film, and why Portra 160 is underrated.

Introduction: A New Player in the Color Film Game The film photography world just got a massive shake-up, and I'm here for it. After...