This blog documents my long-awaited quest to finally shoot Kodak Aerochrome, the legendary false-positive infrared film that turns living landscapes into surreal pink dreamscapes. From the history of Aerochrome to filter experiments and chasing the perfect shot in Yosemite, it’s a deep dive into why this rare infrared film stock feels more like a photographic event than just another roll of film—and why the hunt is half the magic.

A real-world Nikon 35Ti review from Austin, Texas. Titanium body, matrix metering, premium features, and Unknown rangefinder vibes.

A real-world Kodak Portra 160 review shot across Texas on a Leica M6 and Mamiya 7. Latitude, skin tones, pushing film, and why Portra 160 is underrated.

A quick and easy joint around Chinatown with a new color film, OptiColor 200

Roaming around Texas trying to find the Difference in Kodak Gold in 35mm and 120