A real-world Nikon 35Ti review from Austin, Texas. Titanium body, matrix metering, premium features, and Unknown rangefinder vibes.

A real-world Kodak Portra 160 review shot across Texas on a Leica M6 and Mamiya 7. Latitude, skin tones, pushing film, and why Portra 160 is underrated.

Shooting panoramic film photography in Texas with the Mamiya 7 completely changed how I see wide format film. What once felt like a gimmick became a powerful storytelling tool, using scale, context, and composition to guide the viewer’s eye. In this post, I explore panoramic photography, wide aspect ratios, and narrative film photography through abandoned landscapes, small towns, and open Texas roads. If you’re interested in panoramic film, the Mamiya 7, wide format photograp

This in-depth Mamiya 7 review looks at what it’s like using one of the most iconic medium format rangefinder cameras after five years of real-world shooting. From image quality and lens performance to portability, reliability, and price in 2025, this blog explores why the Mamiya 7 remains a dream camera for film photographers—and whether it still deserves its legendary status.

A quick and easy joint around Chinatown with a new color film, OptiColor 200

Roaming around Texas trying to find the Difference in Kodak Gold in 35mm and 120

Introduction: A New Player in the Color Film Game The film photography world just got a massive shake-up, and I'm here for it. After...

The Full Comparison Years ago, I conceived this wild idea to test out all the consumer budget-friendly best cheap color film options on...

The Nikon FA seems to be a sleeper camera in the film community ... At least for now! With this being the first camera to have matrix...

So, in my exploration of 35mm versus medium format film photography, I initially had some misconceptions. I used a Pentax 67 and Canon...